Minor triad arpeggiosMinor triad arpeggios
Learn minor triads arpeggios 1 octave and 2 octaves from any chord tone, root, 3rd or 5th, start from any finger
Author: Strong Bear
Major triad Arpeggios in all fourth tuningMajor triad Arpeggios in all fourth tuning
Learn major triads arpeggios 1 octave and 2 octaves from any chord tone, root, 3rd or 5th, start from any finger
A nice chord progression in CA nice chord progression in C
Here we use only open positions in all fourths tuning. The top note of the voicing is G and it isn't changed throughout the progression. It functions differently over each
Open voiced TriadsOpen voiced Triads
In order to create an open voiced triad, take a closed voiced triad and raise the middle note an octave higher. In all fourths tuning, there are less shapes to
Common 4 parts chord formsCommon 4 parts chord forms
Learn Maj7, Min7, Dom7, Min7b5, Dom7sus4, 7#5, Dim7, Maj6, Min6, Min9, 9, 7b9, 7#9, 13– at least 2 forms for each. These chord forms are in all fourth tuning
Find intervals on all fourth tunings (Part 3)Find intervals on all fourth tunings (Part 3)
In this part, we’ll take a look at intervals that are placed 3,4,5 strings away from the root note. The first tip to remember all of these interval is to
Available Imaj chords over a major scaleAvailable Imaj chords over a major scale
Learn guitar chords that fit with Ionian mode or major scale
Altered Dominant exerciseAltered Dominant exercise
This exercise will help you remember different shapes of altered chords. Play the following progression using the chord shapes below. Functionally, the chord progression is I7 – VI7 – II7
Find intervals on all fourth tunings (part 2)Find intervals on all fourth tunings (part 2)
Visualize the fretboard by finding any interval from the root note
Shell voicingShell voicing
Instead of playing the full chord, you can simplify by using shell voicing. In shell voicing, you play only the chord tones which are the root, 3rd and 7th. Below