Maj7, Min7, Dom7, Min7b5, Dom7sus4, 7#5, Dim7, Maj6, Min6, Min9, 9, 7b9, 7#9, 13– at least 2 forms for each. These chord forms are in all fourth tuning
maj7, min7, dom7 chord forms
minor 7b5 chord forms
7sus4, 7#5, dim7 chord forms
major 6 chord forms
Major 6 inversion
major 6 and 6/9 chord forms could be played as embellishment of each other. These forms are my favorite. They are beautiful to play in funk
Minor 6, minor 9 chord forms
Dom. 9, 7b9 chord forms. The root of the last 2 7b9 chord forms should be played by your thumb, or you could leave it out
This paper will focus on two aspects in the TED talk “Scott Kim takes apart the art of puzzles” of Scott Kim who is professional in problem maker especially puzzles.
In this part, we’ll take a look at intervals that are placed 3,4,5 strings away from the root note. The first tip to remember all of these interval is to
This post introduce you the the exercises that help you visualize the fretboard better by linking all major triads positions with Ionian, Lydian, Mixolydian scales. Backing track and video instruction